Composition & Music Production
Sound Design
Music Direction
Ambisonic & Spatial Mixing
Composition & Music Production
Sound Design
Music Direction
Ambisonic & Spatial Mixing
Hi!
(there is really no need to read all of
this nonsense, just listening is fine, too ... )
{estimated reading time all texts
on this site: under 2:42 minutes}
this nonsense, just listening is fine, too ... )
{estimated reading time all texts
on this site: under 2:42 minutes}
I create unique
sound experiences.
I am fun and sometimes
difficult to work with.
As i believe in the projects i work on and the power of a sonic experience.
And that it is always worth putting in the extra amount .
And that it is always worth putting in the extra amount .
It’s pretty safe to say
that i have a
(sonic) detail
& atmosphere-fetish.
I care about creating worlds
🌐
which resonate into the real one.
I released two albums and an EP under different
names, score(d) films and performances,
immersive experiences or campaigns for products nobody needs.
I don’t care about status,
client/name dropping or
follower counts.
If you want something
generic,
i am really
not your choice i guess.
If you want something interesting
and immersive, let’s talk.
≥≥#≥≥
I invite you to let the sounds speak for themselve & be curious. See, hear, feel what they do for you. And your imagination. Your vision of a project. If it sparks an idea.
If it inspires. Maybe a collaboration into new realms. A storyline.
An emotion. Into something which you might not have thought of before.
Into something that resonates. Take it as an impulse – and be open to whatever arises ...
↓
Deep Immersive Atmospheres | Ø
Soundtrack for a Sci-Fi / Thriller Film | Composition / Music Direction | ca. 120 min.
Deep & Immersive Atmospheres | Ø
Soundtrack for a performance ( ≥ FIND THE DRIVING-HIGH-ENERGY-EXCERPTS HERE ≤ ) | Composition | ca. 60 min
I compose, produce,
sound design,
score and make music
for various contexts.
With a multidisciplinary background in visual arts,
choreography & performance, installation and architecture,
as well as creative direction and design.
If you don’t see the benefits
of these multiple perspectives,
well, save yourself the time ;)
I believe in the power
of juxtaposition.
And the unexpected.
In a world of constant screams,
I
cherish silence & subtlety as
one of the most powerful tools.
To
form
(something with) character.
↓
Moving Bodies & Minds | Ø
Soundtrack for a performance ( ≥ FIND THE CALM-AMBIENCE-EXCERPTS HERE ≤ ) | Composition | ca. 60 min
Moving Bodies & Minds | Ø
Soundtrack for a performance ( ≥ FIND THE CALM-AMBIENCE-EXCERPTS HERE ≤ ) | Composition | ca. 60 min
I might suggest
three more ideas than
you asked for .
I will not make it louder.
I will not make it swoooosh.
I will not make “that cool
cinematic effect”.
Not just for the sake of it.
I will try different things.
Which actually make sense in regards to the project.
I think of sound as a
co-creator of experiences,
spaces & mindstates.
That’s why i love grains & noises
for their atmospheric nuances
–
pauses & silence
for their mindbending possibilities.
for their atmospheric nuances
–
pauses & silence
for their mindbending possibilities.
As fragments & glitches have a special quality to drive a story.
I am a sucker for sensuality in
sound and experiences.
I guess this is why and how I create sonic atmospheres.
I am passionate & particular.
At the same time tender and calm.
And love to not take myself nor my perspective all too serious at times. (Try it, it’s really fun!👻)
↓